The Carving Path: Japanese metalwork references - The Carving Path

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Japanese metalwork references books or articles in English

#1 User is offline   Jim Kelso 

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Posted 13 April 2007 - 11:27 PM

I wanted to start this thread a couple of weeks ago but life intervened. Ford and others made a reference to The Design and Creation of Jewelry by Robert Von Neumann, one of the few books in English with fairly accurate information on Japanese techniques. I loved this book early on as well and I thought a focused thread on materials in English could be useful.

Another of my favorites is Silverwork and Jewellery by H. Wilson and Unno Bisei (Pub. Pitman). As far as I know this is the only book from that period(1902) where the text was revised and approved by an actual Japanese mastersmith. Quoting H. Wilson: "I have had the priviledge of being instructed by Unno Bisei of the Tokyo Fine Art College, and the following chapters are based on notes made from his demonstrations. They have in addition been entirely revised by Professor Unno himself. The illustrations are from his own diagrams."

Sadly, there are precious few illustrations, but they are quite nicely done.

Unno Bisei was the son of the consummate metal artist Unno Moritoshi and studied with the great Unno Shomin. Credentials don't get much better than that. Sadly as well, there are few photos of his work. I'll post one from Kagedo Gallery. Two weeks ago I saw a fantastic pair of vases in New York at the display of Brian Harkins with one of the finest snowy winter scenes I have seen in silver and shibuichi. Unfortunately, I didn't heve my camera :rolleyes:

This book is available from the usual scources(Amazon, Alibris, etc.) Make sure you get the one with Unno Bisei material. There have been several reprints.

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#2 User is offline   Karl Carvalho 

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Posted 14 April 2007 - 04:28 PM

Aloha Jim,

Thanks for the reference. Just ordered a copy of the 66' printing. (Funny to watch listings disappear even as I set up my order.)
Here's hoping a new book line can get started without too much trouble. Maybe a new forum?

mahalo
Karl
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#3 User is offline   Jim Kelso 

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Posted 14 April 2007 - 09:31 PM

Hi Karl, I have the '66 as well. Originally, more than 20 years ago some kind soul(I've forgotten who :rolleyes: ) sent me a photocopy of the relevant chapters.
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#4 User is offline   Phil White 

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Posted 14 April 2007 - 09:45 PM

Hi Jim,

Thanks for the reference. I'm afraid that I'm a chronic book collector, and I just might have to get a fix from this book.

I just picked up a book this week online from the Museum of Fine arts in Boston by Joe Earl called Lethal Elegance, The Art of Samurai Sword Fittings, MFA publications, 1994. The MFA also has a fantastic collection of high-quality tsubas, and most are photographed and available for viewing online. Well worth a look.

Some folks out there might be aware of it. The photographs alone make it worh purchasing.

Phil
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#5 User is offline   Karl Carvalho 

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Posted 14 April 2007 - 10:05 PM

Aloha Jim,

BTW, subject of books spurred me to look for long lost boxes of relavent literature...success. Found trove of Bushell's, Reikichi, old NKS (now INS) study journals and many museum exhibition publications. Maybe this purchase can help answer questions from long ago. (It's coming back slowly.) :rolleyes:

mahalo
Karl
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#6 User is offline   Dick Bonham 

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Posted 15 April 2007 - 12:11 AM

Hi,
I just received the book that Ford mentioned "KINKO DENTO GIHO" (Traditional Soft-Metal worker's Techniques) by KATORI Masahiko, IO Toshio and IBUSE Keisuke yesterday from Amazon Japan. It is an excellent book. It covers many types of metal work such as lost-wax casting, sand casting, raising a bowl and teapot, chasing, inlay plus other techniques. It shows the tools used for each technique. The illustrations are all small and in black and white and the book is in Japanese but it does show everything step by step. It was $30.00 (however, shipping was $30.00). I just ordered "Silverwork and Jewellery" by H. Wilson and Unno Bise with the Japanese section. Jim, thanks for the information.
Dick

#7 User is offline   Jim Kelso 

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Posted 15 April 2007 - 11:42 AM

I want to make sure I don't mislead anyone in to thinking that Silverwork & Jewellery is an extensive treatise. It's not. It's main value is in that the information it does contain is so direct and accurate. It does contain some information on alloying shibuichi to obtain the "nashiji" mentioned elsewhere that was extremely useful to me at the time.

This forum now contains more accurate information that any other source I know.

These books will always be friends.
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#8 Guest_ford hallam_*

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Posted 15 April 2007 - 12:01 PM

Quote

These books will always be friends.


you really should get out more, Jim :rolleyes:

#9 Guest_ford hallam_*

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Posted 15 April 2007 - 02:36 PM

Just over 100 years ago Unno Bisei demonstrated Classical Japanese metalwork technique to English craftsmen in London. Last year in November I returned the favour. ;)

Here's a photo showing me working and demonstrating traditional technique to a Japanese audience in a small museum in Katsuyama, Okayama.
I was kept busy like this for nearly a month. :rolleyes:
The gentleman on the far left is my teacher, Izumi Koshiro Sensei. The exhibition was a celebration of our long and unique relationship. As you can imagine, it was a very special event of me. ;)

#10 User is offline   Phil White 

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Posted 16 April 2007 - 01:49 AM

Hi Ford,

Pardon my ignorance, but I am curious about the high-end metalwork arts scene in Japan. A am aware that there are a considerable number of top-quality netsuke carvers, but is there a large base of artists actively practicing quality original metalwork, tsuba, etc.? I know there are a lot of people producing knock-offs, or castings, but I am curious about the contemporary masters.

If they are on-line, could you suggest a few websites that I/we might have a look at?

Thanks, Phil
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#11 Guest_ford hallam_*

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Posted 16 April 2007 - 09:39 AM

hello Phil,

this link will take you to the Japanese Association of traditional crafts web-site. There is quite a lot of information there regarding technique as well as images of contemporary metal artworks. No tsuba though! :rolleyes:

There are a handful of contemporary makers of tsuba, I've not seen any other sword related decorative fittings though. The Society for the Preservation of Japanese Art Swords ( NBTHK ) holds an annual competition to rank sword-smiths. polishers and associated artisans/artists. In the chokin section ( metal carving , inlay etc. ) there are usually about 30 entries. One or two are termed Mukansa, these are people who have consistently won 1st, 2nd or 3rd and are now judged to be above contest level. Jim visited one of these men, Mr Masaichi Sakai some years ago, Jim?..... I'll attach some images of his work. Sorry about the quality, they're photos from a catalogue.

There are 3 prize winning levels and after that the remainder are merely ranked numerically according to whatever qualities the judges are looking for. These are described as nyusen, this simply indicates that they were accepted. Most of these entrants make one tsuba a year and are hobbyists.

There are a couple of modern tsuba makers on the web who are operating out of Japan but I don't regard them as representative of the best of contemporary work.

I hope this sheds some light on the situation.

cheers, Ford

#12 User is offline   Jim Kelso 

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Posted 16 April 2007 - 01:16 PM

The tsuba making scene does seem in decline. Toshimasa(Masaichi Sakai) is now 84 and a little less active each year. Haven't seen anyone coming on, although I'm not much up on those activities. It's such a tradition oriented field, unlike the netsuke scene which has developed a contemporary faction.
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#13 Guest_ford hallam_*

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Posted 16 April 2007 - 01:58 PM

I should have indicated when these pieces were made. The kozuka with the fish was made in 1983. I think that it's the best piece I've seen of his. ;) He made it when he was 60, there might be hope for me then :rolleyes: .
the tsuba with the little bird was made in 1988 and it's making ( over 9 months or so ) was also the subject of a 30 min documentary that was originally shown on Japanese TV. The kozuka with the kingfisher was made in 1990. Interestingly, the body of the little fella is actually mother of pearl. :D

cheers, Ford ;)

#14 User is offline   Doug Sanders 

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Posted 16 April 2007 - 03:25 PM

I was wondering about the kingfisher- thought it was some sort of verdigris treatment on copper.

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Posted 16 April 2007 - 08:07 PM

Ford,

I thought you were into tsuba-making? :rolleyes:

Kathleen

#16 User is offline   Phil White 

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Posted 16 April 2007 - 11:52 PM

Thanks Ford,

You would think that with the strong continuing tradition in sword-making that the associated arts would follow, but perhaps sword fittings haven't achieved the same mystique in the public eye as the blades themselves. Personally, although I appreciate what goes into forging a laminated blade, I find the fittings more interesting.

Phil
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#17 Guest_ford hallam_*

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Posted 17 April 2007 - 05:54 AM

Hi Phil,

I think the decline in sword fitting production is due to a number of factors, I've written an overview of the evolution of the tradition which addresses this. It'll be on my site, shortly! :)

There are still the odd ( very ) individuals who are trying to keep things alive though, here's a link to some work of one such wierdo :D .
cheers, Ford

p.s. The wire inlay tutorial just needs to have all the images edited now, there are quite a few. :)

#18 User is offline   Phil White 

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Posted 18 April 2007 - 12:33 AM

Very nice!!

I like to see steel treated as a precious metal. It is a wonderful material, and very much under-appreciated.

I assume you are working mostly with mild steel? Have you ever worked with old (i.e. 19th century) wrought iron? Compared to mild steel, is like the difference between fine silver and sterling. It has a beautiful softness, and grain.

Phil
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#19 User is offline   Karl Carvalho 

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Posted 18 April 2007 - 04:26 AM

Aloha

With respect to the beginnings of this thread, may I suggest these other readings?
For something a little different in traditional ironwork:
1) Japanese Cabinetry - David Jackson & Dane Owen;
2) Traditional Japanese Furniture - Kazuko Koizumi;
3) Tansu - Ty & Kiyoko Heinekin;
4) Japanese Antique Chests - Tokyo Furniture Museum
The first one is recent, a picture book with little technical info, but good closeups. The other two have small technical sections and so-so pictures, so try to borrow them. The last is a museum publication with decent pics and info on wood, metal and lacquer techniques.

A little off topic, but check out Understanding Wood Finishing by Bob Flexner. The best book ever. Just look at the reviews on Amazon. Cheap! :)

mahalo
Karl
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#20 User is offline   Jim Kelso 

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Posted 18 April 2007 - 11:01 AM

Thanks Karl.
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