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Found 2 results

  1. So more or less done and dusted on this one. I call it Kinship of Cherished Ephemerals. My aim with this work was to evoke the mystery and fleeting beauty around the relationship of seemingly unremarkable bits of nature. Thoreau wrote much about the value of looking closely at our home ground for inspiration: “The discoveries which we make abroad are special and particular; those which we make at home are general*and significant. The further off, the nearer the surface. The nearer home, the deeper.” [Journal, September 7, 1851] Overall length is 13 inches. Vera wood with copper, shibuichi, shakudo and 18k gold. Here is a link to a gallery with more photos: http://www.jimkelso.com/albums/kinship/album/ And a tutorial of how the feather was made: http://www.jimkelso.com/tutorials/feathertutorial.html 
The wood-carving resolved into an area on one end suggestive of weathered wood or sculpted stone in a stream-bed, or perhaps both, and on the other end as a small area of moving water flowing between mossy patches. Rather than be too literal I would rather leave interpretation to the imagination of the viewer. 
The metalwork also evolved very differently than usual, the end result being the third generation of concept. Initially I had thought of a larger piece of metalwork but decided that small details would be better as the wood is so powerful. I chose to portray specimens from the animal, vegetable and mineral worlds to illustrate the harmony and relationship of elements (Classical or Asian mode).
  2. Japanese Alloy Lecture & Patina Demo

    I wanted to let y’all know I’ve committed to presenting at Ashokan Bladesmith Conference 2012. Sept. 14-16 near Kingston ,NY. Since becoming enthralled with Japanese alloys and patina in the ‘80s I have also enjoyed sharing what I’ve discovered in the interest of urging others to try the alloys and patina out. At Ashokan I’ll focus on the alloys and traditional niage patina necessary to develop the colors as seen in traditional Japanese sword fittings and other types of works. The rich palette available using this alloy/patina coalition has much to offer any metalsmith. This will be a somewhat refined version of a talk I gave at the Colorado Metalsmiths convention in 2008. My slide-talk will include outstanding historical examples of Japanese work, showing detailed close-ups with observations of construction. I’ll also have examples of my own work showing adaptation of the tradition to my own personal expression. There will also be a demo of the traditional niage patina process. Registration and more info here: http://www.ashokanknifeseminar.com/ Here’s a link to my patina tutorial: http://www.jimkelso....ml/tutorial.htm Here are three pieces by Shoami Katsuyoshi courtesy of the Kiyomizu-Sannenzaka Museum, Kyoto, Japan:
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